Oct 21, 2016

Essential Alan Moore interview about Jerusalem (and more)

Alan Moore. Photo by Dominic Wells.
Excerpts from the excellent interview conducted by Dominic Wells. You can read it HERE.
Alan Moore: It’s about time people stopped debating whether comics are art [...] and just get on with making good art.

Alan Moore:This planet has a physical geography with which we have already familiarised ourselves [...] But since the dawn of the first stories, there is a fictional geography, where the gods and demons live. We have created this big imaginary planet that is a counterpart to our own; and in some cases these places are more familiar to us than the real ones.

[afternoon of July 9, 2016]
Talking about Jerusalem.  
Alan Moore:Nearly everything is historical fact. [...] I’d take all the angels and demons with a pinch of salt. A lot of it is actually 100 per cent materially true, but I think all of it is emotionally true. And also we are not just our bricks and mortar, we are not just our flesh and blood, we are not just our material components. Everything in our world has got an imaginary component. As individuals, we’re always telling people the legend of us. The same goes for our houses, our streets, our towns, our country – there is a huge imaginary component to human life and if in the interests of scientific realism you ignore that, you are not describing reality.

Discussing V for Vendetta mask adopted by both the Occupy and Anonymous movements. 
Alan Moore:I’m glad that they’ve got it, although – they didn’t get it from the comic, did they? They got it from the film, which I have never seen and which, from a position of complete ignorance, I am willing to describe as a total rat’s abortion. But I’m glad it’s been of use to these protestors, because generally I really admire what they do.

[6pm, July 9, 2016]
Alan Moore: "[Jerusalem] is dedicated to Audrey. The whole book was an attempt… an attempt to rescue her? A particularly futile and belated attempt, but the best I could do. The only way that I could rescue her was in a fiction.

The complete interview can be can read HERE.

Oct 19, 2016

Lobo and... Alan Moore!

Art by Kevin O'Neill.
Above, the first panel from page 11 of Lobo Convention Special, a Lobo one-shot published in 1993 by DC Comics with plot by Keith Giffen, dialogues  by Alan Grant, art by Kevin O'Neill, lettering by Todd Klein, coloring by Digital Chameleon.

Oct 14, 2016

Bob Dylan in Watchmen

From Watchmen - Chapter I: At Midnight, All the Agents...
Closing Quotation: "At midnight, all the agents and superhuman crew, go out and round up everyone who knows more than they do." - Desolation Row by Bob Dylan
Note: the quote doesn't appear at the end of the original serialized issue N. 1 because DC hadn't cleared the rights in time, but it was added in reprints. 

From Watchmen - Chapter X: Two Riders Were Approaching...
Closing Quotation: "Outside in the distance a wild cat did growl, two riders were approaching, the wind began to howl." - All Along the Watchtower by Bob Dylan
Cover of Watchmen N. 10. Art by Dave Gibbons.

Oct 13, 2016

Oct 11, 2016

Miracleman by Kim Jung Gi

Art by Kim Jung Gi.
Above a Miracleman commission drawn by South Korean phenomenal artist Kim Jung Gi during the last New York Comic Con.

More info e detail about Kim Jung Gi at his site: HERE.
Kim Jung Gi and his Miracleman.

Oct 2, 2016

Alan Moore by Bobby Campbell

Art by Bobby Campbell.
Above a psychedelic portrait of Alan Moore by artist Bobby Campbell
More details about the illustration are available here.

Sep 30, 2016

Alan Moore by Danijel Zezelj

Art by Danijel Zezelj.
Above a fantastic and intense Alan Moore portrait by internationally acclaimed artist DANIJEL ZEZELJ.

Sep 29, 2016

Remarkably happy

Excerpt from an article by Nat Segnit published on the The New Yorker website the 8th of September 2016.

[...] A few weeks after our meeting, I asked Moore whether his own mental health had ever been a concern. “It probably should have been, but it hasn’t,” he said. “I am remarkably happy in my life. I don’t seem to have many of the conflicts that my ostensibly more normal and sane acquaintances seem to have. I’ve never been tempted by the idea of analysis or therapy.” [...]

The complete piece is available HERE.